The first positive thing about the film is the brilliant photography (Indranil Mukherjee) of the scenic locales. You will enjoy the trip for sure even without venturing out in reality. However, the screenplay isn’t a taut one and the love triangle between Ria (aka Keya), Hori & Sanjoy drags and irritates. Among the tourists, each has his/her own story. The overacting of Koneenica, though, stands out as a sore thumb. Asim (Saswata) stands out amongst the four friends – for effortlessly portraying various shades of the character - the businessman in him asking for “mallu” (money) being collected from the tourists, scolding Hori for falling yet again for a girl, asking Sanjoy to step aside of the love triangle or donning the doc’s cap to save a dying man at the Father’s Missionary and cursing himself afterwards for being unable to save a life despite knowing well that he was fighting a losing battle.
This film has a few witty dialogs and has lingo used by Gen Y that would make you laugh and enjoy the proceedings somewhat. There’s nothing much to write home about the music though (unlike Bong Connection whose special rendition of “Pagla Hawa” took the city by storm). Overall, I feel the film got much more hype that it really deserved. I went to see the movie after hearing words-of-mouth praise but was disappointed in the end. Anjan Dutt could have developed some of the characters more and gone deeper into them. According to me, a good film is that which gives you something to carry with you outside the theatre after the credits have rolled up on screen. Chalo Let’s Go fails on this count.
Image courtesy: Calcutta Tube